The following table is a grade index to the climbs listed in Devil's Tower National Monument: A Climber's Guide. Steve Gardiner and Dick Guilmette (Seattle: The Mountaineers, 1986). I have also started to add some of newer free routes.
# | Name | Class,Aid | Pg | other |
---|---|---|---|---|
Aid | ||||
126 | Abject Cathexis | III, A3 | 115 | |
138 | Centennial | III, A3 | 121 | |
50 | Lucifer's Ledges | III, A3 | 79 | |
M&CWTC #3 and #4 | II | 60 | Old army routes | |
M&CWTC #5 | II | 63 | Old army route | |
34 | The D.O.M. | II, A2 | 72 | or A3 |
123 | The Thin Dagger | IV, A2 | 113 | |
125 | White Lightning | III, A2 | 114 | |
139 | Unknown Route Left | 123 | ||
140 | Unknown Route Right | 123 | ||
5.4 | ||||
26 | Uncle Remus Dirty Vegetable Garden | II, A2 | 69 | |
5.5 | ||||
4 | Bailey Direct | II | 58 | One pitch variation of Durrance, Route 1 |
5.6 | ||||
1 | Durrance | II | 57 | |
137 | Runner's World | IV, A3 | 121 | 5.12b free |
103 | Saber | IV, A3 | 104 | |
49 | The Window | IV, A4 | 79 | |
5.7 | ||||
132 | Acrophobia | IV, A2+ | 118 | |
134 | Blade City | IV, A3+ | 119 | |
133 | Butterfingers | IV, A2 | 118 | |
29 | Carpenter's Caper | II, A2 | 70 | |
124 | Conquistador | IV, A3 | 114 | |
10 | Devils Delight-Direct | I | 62 | |
82 | Emotional Rescue | III, A3+ | 95 | |
83 | Gimme Shelter | III, A3 | 95 | Variation of Emotional Rescue |
6 | Mateo Tepee | II, A3 | 58 | |
Northeast Corner | III, A3 | 88 | ||
25 | Second Thought | II | 69 | last pitch variation of Bon Homme, route #24 |
5 | Sundance | II | 58 | Starts on Wiessner and ends on Durrance |
38 | TAD | II | 73 | M&CWTC #2 |
47 | Tower Classic | II, A2 | 78 | 5.12 free |
98 | Verrouiller Letoit Pendang la Marche | II, A3 | 102 | |
7 | Wiessner | II | 58 | |
5.8- | ||||
76 | Mystic and the Mulchers | I | 92 | |
5.8 | ||||
23 | Bon Homme, Horning Variation | II | 68 | |
39 | El Cracko Diablo | II | 75 | |
9 | Extended Wiessner | I | 60 | |
113 | Independence | III, A3 | 109 | |
112 | Misty Morning Melody | II, A2 | 109 | |
99 | NAM | I | 103 | |
8 | Pseudo-Wiessner | II | 60 | |
51 | Satan's Stairway | III, A3 | 79 | |
142 | Tower Direct | III, A2 | 124 | 5.12b free |
59 | Two Left Shoes | III, A1 | 83 | |
5.8+ | ||||
11 | Devils Delight | II | 62 | M&CWTC #1 |
89 | Northwest Corner | III, A3 | 97 | |
66 | Patent Pending | III | 87 | |
13 | Sunfighter | II | 63 | |
5.9- | ||||
21 | B. O. Plenty | II | 66 | |
19 | Delta I | II | 65 | |
56 | Gooseberry Jam | III | 82 | |
145 | Manifest Destiny | III | 125 | |
77 | Neverlasting | I | 93 | |
131 | Rangers Are People Too | I | 118 | |
36 | Soler | II | 73 | |
37 | Todtmoos | II | 73 | |
20 | Waterfall | II | 66 | |
5.9 | ||||
67 | Assembly Line | III | 87 | |
24 | Bon Homme | II | 68 | |
42 | Cave | II | 76 | |
41 | Exit-US | II | 76 | |
2 | Pigeon English | II | 57 | |
3 | Persistence | II | 58 | |
12 | Path of Dissent | II | 63 | |
74 | Sympathy for the Devil | III, A2 | 90 | 5.12c free |
14 | The Best Crack in Minnesota | I | 64 | |
32 | Walt Bailey Memorial | II | 71 | |
135 | Zephyr | III, A1 | 119 | |
5.9+ | ||||
33 | Phillip's Retreat | I | 71 | |
5.10a | ||||
115 | Adventurous Daze | IV, A2 | 109 | or A3 |
57 | Gooseberry Jam-Peterson Variation | III | 83 | |
64 | Kama Sutra | III | 86 | |
85 | Klondike | I | 96 | |
78 | Leaping Lizards | I | 93 | |
81 | McCarty's Brother | II | 94 | |
70 | New Wave | I | 89 | |
92 | Raindance | I | 99 | |
116 | Tulgey Wood | III | 110 | |
52 | Witchie | III | 81 | |
5.10b | ||||
45 | Beelzebub | II | 77 | |
71 | Broken Tree | I | 89 | |
55 | Burning Daylight | II | 82 | |
58 | Belle Fourche Buttress | III | 83 | |
60 | Dump Watt | II | 85 | |
109 | Jerry's Kids | I | 107 | |
15 | Journey to Ixtlan | II | 64 | |
119 | McCarty West Face - Free Variation | II | 111 | |
102 | Potatoes Alien | I | 104 | |
65 | Suchness | III | 87 | |
5.10c | ||||
17 | Bittersweet | II | 65 | |
72 | Everlasting | I | 90 | |
35 | Hollywood and Vine | II | 72 | |
94 | One-Way Sunset | III | 100 | |
5.10d | ||||
75 | Back to Montana | II | 92 | |
54 | Casper College | III | 81 | |
53 | Crocodile | III | 81 | |
16 | Danse Macabre | II | 64 | |
121 | El Matador | III | 111 | |
40 | Extension | II | 75 | |
143 | POTC | II | 124 | |
61 | The Chute | I | 85 | |
5.11a | ||||
91 | Carol's Crack | III | 99 | |
27 | Double Indemnity | II | 69 | |
80 | McCarthy North Fact | III | 94 | |
111 | Mr. Clean | III | 108 | |
87 | Psychic Turbulence | I | 97 | |
104 | Spank the Monkey | I | 106 | |
5.11b | ||||
144 | Black-Jones Direct | II | 125 | |
130 | Direct Southwest | III | 116 | |
43 | Last Cowgirl Up | II | 76 | |
101 | No Holds for Bonzo | I | 103 | |
84 | Two Moons Over Hulett | II | 95 | |
5.11c | ||||
93 | Approaching Lavender | II | 100 | |
86 | Dr. Zen | III | 96 | |
88 | Four Play | III | 97 | |
118 | McCarty West Face | III | 110 | |
120 | McCarty West Face - Hong Variation | I | 111 | |
18 | Morchella Esculenta | II | 65 | |
63 | Nitro Express | II | 86 | |
44 | Troglodytes Trauma | II | 76 | |
5.11d | ||||
114 | A Bridge Too Far | I | 109 | |
108 | Avalon | II | 107 | |
95 | Buster Cattlefield | I | 100 | |
122 | Digital Extraction | III | 113 | |
31 | Direct Southeast | II | 71 | |
69 | Maid in the Shaid | III | 89 | |
96 | Synchronicity | I | 102 | |
117 | Way Layed | I | 110 | |
5.12 | ||||
100 | Risque | I | 103 | |
5.12a | ||||
129 | Accident Victim | IV | 116 | |
105 | Bloodguard | I | 106 | |
107 | Brokedown Palace | III | 107 | |
127 | Billie Bear Cranks the Rad | I | 115 | |
79 | Daredevil Index | III | 93 | |
97 | Deli Express | II | 102 | |
106 | Non-dairy Creamer | III, A3 | 106 | |
90 | Spiney Norman | I | 99 | |
30 | The Power That Preserves | II | 70 | |
110 | Vulture | IV, A3 | 108 | |
5.12b | ||||
48 | Animal Crackerland | I | 78 | |
28 | English Beat | II | 70 | |
136 | Graeme's Line | II | 121 | |
46 | Let Me Go Wild | II | 77 | |
141 | Romeo Is Restless | I | 124 | |
128 | Object Cathexis | II or III 115 | ||
62 | See You in Soho | I | 86 | |
5.12c | ||||
22 | Seamstress | II | 68 | |
68 | Surfer Girl | II | 88 | |
73 | Hollow Men | II | 90 | |
Space Challenger (formerly Acrophobia #132) |